<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Music Gear Forums &#187; the-envelopes</title>
	<atom:link href="http://mg-mk.com/forums/tag/the-envelopes/feed/" rel="self" type="application/rss+xml" />
	<link>http://mg-mk.com/forums</link>
	<description>Check all music gear forums at once glance</description>
	<lastBuildDate>Tue, 28 Jun 2011 12:53:08 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.1</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>fastest compressor/limiter?</title>
		<link>http://mg-mk.com/forums/fastest-compressorlimiter/</link>
		<comments>http://mg-mk.com/forums/fastest-compressorlimiter/#comments</comments>
		<pubDate>Mon, 10 May 2010 15:22:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Recording]]></category>
		<category><![CDATA[attention-fast]]></category>
		<category><![CDATA[best-quality]]></category>
		<category><![CDATA[dynamic-trigger]]></category>
		<category><![CDATA[envelopes]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[extremely-quick]]></category>
		<category><![CDATA[gain-automation]]></category>
		<category><![CDATA[opinion]]></category>
		<category><![CDATA[process-signals]]></category>
		<category><![CDATA[question]]></category>
		<category><![CDATA[sidechaining]]></category>
		<category><![CDATA[the-different]]></category>
		<category><![CDATA[the-envelopes]]></category>

		<guid isPermaLink="false">http://mg-mk.com/forums/fastest-compressorlimiter/</guid>
		<description><![CDATA[ all the sidechaining threads that seem to have popped up lately have gotten me thinking, which analog comp in your opinion maintains the best quality when your A/R is at extremely quick settings? in that same vein i also wanted to ask the community, what are the different ways you like to process signals to compensate for the envelopes not snapping to attention fast enough? gain automation comes to mind, you could also layer your sounds in a step-sequence style chronologically (or resample them in that same manner, i suppose), etc etc..]]></description>
			<content:encoded><![CDATA[<p> all the sidechaining threads that seem to have popped up lately have gotten me thinking, which analog comp in your opinion maintains the best quality when your A/R is at extremely quick settings? in that same vein i also wanted to ask the community, what are the different ways you like to process signals to compensate for the envelopes not snapping to attention fast enough? gain automation comes to mind, you could also layer your sounds in a step-sequence style chronologically (or resample them in that same manner, i suppose), etc etc..</p>
<p>By <i>in a blue field</i> (Gearslutz.com)</p>
<p><a target="_blank" href="http://www.gearslutz.com/board/electronic-music-instruments-electronic-music-production/491590-fastest-compressor-limiter.html" title="fastest compressor/limiter?">Read more</a></p>
]]></content:encoded>
			<wfw:commentRss>http://mg-mk.com/forums/fastest-compressorlimiter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
