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fastest compressor/limiter?

all the sidechaining threads that seem to have popped up lately have gotten me thinking, which analog comp in your opinion maintains the best quality when your A/R is at extremely quick settings? in that same vein i also wanted to ask the community, what are the different ways you like to process signals to compensate for the envelopes not snapping to attention fast enough? gain automation comes to mind, you could also layer your sounds in a step-sequence style chronologically (or resample them in that same manner, i suppose), etc etc..

By in a blue field (Gearslutz.com)

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