Big / depth and wide
May 10, 2010 Recording
Hey anyone, i would just like to know, how the hell do the pro’s get their mix so big, wide and alot of depth? would really like to know if i could archive this by purely mixing in the box
By shambles76 (Gearslutz.com)
Tags: client, commercial, doing-something, hence-it-makes, metric-halo, purely-mixing, sound, time, work-on-mixes
How to quantize audio in protools
May 6, 2010 Recording
Ok…i’m a Cubase guy for years. I have Protools M-Powered 8 but I prefer using Cubase
By MERC476 (Gearslutz.com)
Tags: audio, chop-the-audio, client, conga-or-drums, create-markers, create-regions, from-beginning, from-hitpoints, music computers, once-the-parts, parts, protools, quantize-lets, the-transients, transients
How to quantize audio in protools
May 6, 2010 Recording
Ok…i’m a Cubase guy for years. I have Protools M-Powered 8 but I prefer using Cubase.
By MERC476 (Gearslutz.com)
Tags: audio, chop-the-audio, client, create-regions, from-beginning, from-hitpoints, music computers, once-the-parts, parts, protools, transients
Mixing on the desk, does, donts and how-tos.
May 5, 2010 Recording
I wanted to start (again of course) a quick discussion on the does and donts of mixing on a console. This is not an opinion peace, we all know DAWs have there advantages and the last thing I want to start is another debate on whether mixing in-the box is awful or great and how it compares to out-of-the box.
By Jacob H (Gearslutz.com)
Tags: advantages, client, final, having-the-gear, know-it-sounds, logic, original-tracks, style